it s now time for one of resopal s current crop of exciting young producer teams to get a step up: the two producers debut on the label with a 12- ep entitled fresh trax. this is a versatile ep with three different tracks in the fields of house that have great range, and more than enough skill to pull off many different tricks.

south london ordnance debuts on parachute. the british producer marks his first release of 2017 with parallel window, a four track ep featuring three wrought-iron originals and remix from token & blueprint affiliate, sigha. driven and direct, the music marries rolling low end with high energy drum machine percussion and wide angle highs - for the most part eschewing anxious, heads-down austerity in favour of a more uplifting, trancelike approach - spread across multiple bpms. despite the heady, crushed finish - shifts in tone are subtle, developing over prolonged periods, with careful modulation drawing sounds in and out of the sonic hinterland sporadically to create a comfortable atmospheric balance between peak-time dance-floor urgency and hazy mid-set moments. on his remix, sigha hones in on this sentiment - lifting the caustic lead bassline from parallel window and augmenting it with trademark cavernous low end, skittering highs & a rolling lead arp to create a hypnotic, half-time dirge.

ltd 2017 repress, just in time for summer fun, we are hitting you up with the seventh itj installment and as you might have guessed, we present you once more with three tracks on a fine piece of waxxx. the second track of the b-side could just as well have been the a-side. it puts the ass in bass. just listen. the b1 track is the beast of burden, pulling the weight of the release. this track will bring down the house without even trying. the a-side is what it is. nothing but the motherfuckin hits

thallulah, william medagli & jose maria ramon join together to produce an ep of three tracks released on vinyl by the italian petra beat records. gathering soul is an hypnotic journey through different kicks, grooves and melodies. the three tracks, gathering for love , 47 raw 34 and soul jacker , make you move and leave your troubles behind. it s not a bad result at all, when it comes to electronic music.

the first long-awaited release of champ libre records compiles the tracks of the label’s three pioneering artists. since 2015, spun off, 3-pi, and size pier heave been heavily shaping the eclectic character of the most daring parisian dancefloor. their work reflects the crew’s transgressive approaches to techno. it stands for contradictory ideas, open-minded experimentation with sound, art and aesthetics. genese ep highlights each artist’s intriguing distinctiveness growing from the background of creative chaos.

phat techno madness on three vinyl

when talking about the current status of house and techno in brazil, the names davis and zopelar will inevitably pop up. the two fgureheads of sao paulo s vital electronic music scene are both responsible for the in their feelings label, as well as being known as residents of the odd collective, a very popular off- location event series. this summer, they will play several gigs in europe, including some highlights in germany like the melt! festival, panoramabar and robert johnson. it s defnitely the perfect timing now, to drop their debut ep on connaisseur and we are certain that this release will cause some major waves. three tunes for three different occasions. enjoy the diversity! try catching davis & zopelar at one of their europe gigs. more info can be found on their facebook profles.

having remixed depeche mode and dj hell as well as releasing a new fixmer/mccarthy single with douglas mccarthy (of nitzer ebb), 2017 has already proven to be a productive year for terence fixmer. with the new force ep, the berghain resident follows up on 2016 s beneath the skin ep (o-ton 97), offering four stylistically different but congenial techno scenarios for club use. the record s eponymous track on a1 doesn t think twice: the initial signal horn starts as sudden as the staggered kick drum rhythm, reoccurring throughout the cut s 6-minute playtime while sustained and oppressive screams from a synth, extra multifaceted ebm percussion and synth drones add to the overall sombre atmosphere of ôforceö. the musical vibe distinctly changes with ôsidewalkö which puts more focus on synth melodies û like its predecessor a techno cut per se, but with a stronger accent on hypnotic motifs. on b1 ômelting planetsö emphasises the kick: clocking in slightly slower than the other three tracks û at 122 bpm û the bass drum here sounds extra vivid, ever-present and spot-on, just as if terence was playing the drum kit sitting right next to you. with additional percussion and swirling melodies ômelting planetsö is a lulling, mesmerizing meditation in dub techno. ôstriking patternsö on b2 links to the best moments of force ep s a-side, combining bone-dry bass drum hits and distinctive brazen, banging noises, pulsing synths pads and sizzling surface sounds.

after the success of the labels first two releases, of paradise welcome baltra into the inner circle for number three, a 2xlp reissue of his no regrets album. originally released in february 2016 as a limited edition cassette on the artists own 96 and forever label, this is the first time any of these tracks have been made available on vinyl. no regrets captures the deep, raw emotion of the big city, taking the preconceived ideas of underground electronic music and lovingly twisting them into something new.

comprising three sweetly-swung, groove-focused productions coaxed from her beloved mpc3000, its the perfect summation of peggys unique sonic signature. ltd repress

2017 repress -- amazing release from legowelt , three tracks full of house and techno vibes, you will not want to miss this one. big, big!riverettes first release sees legowelt delivering one of his best releases blending everything we have come to love from him, 90s vibes check!, house, check! techno, check! arpeggios, dreamy leads, chilling chords, no nonsense sequences check!expect big things from this new spanish label as can only be assume by their mind-blasting first release

after the success of 2016 s open water , udmo returns with three meticulous compositions based on themes of industry and space. the tightly woven, grooving ethereal sounds that we have come to associate with this young artist are even more developed with his second release. label heads albrecht la brooy contribute with a deeply hypnotic friday arvo knock-off remix suited to the early hours.

on the back of chip wickham s fabulous debut album la sombra come two quite different but equally mouthwatering remixes of two of its tunes. on the a-side, detroit house stalwart extraordinaire andrés grabs red planet by the ear and drags it straight to the dance floor. and he means business: no beating around the bush with intros and the like â€,“, it s hands in the air and go from start to finish. relentless. the other a side, a.k.a. aa side, is for l.a. s ambassador of avant-garde and spiritual music carlos niño. rather than remixing the album s title track in the strict sense of the word, his spaceways radio edit adds a subtle and otherworldly flavour to it, extending the mix with some gorgeous ambient washes. la sombra (lovemonk, january 2017) is chip wickham s first album after a 25-year career touring, recording and experimenting across three decades of jazz, funk, soul, hip-hop, latin and electronica. it s a monumental record for chip as it symbolises the moment he stepped out into the light as a director of his creations with freedom to explore his roots, express and tell his version of jazz, and pay testament to his heroes roland kirk, yuseef lateef & harold mcnair.

having made her mark on brazil’s rich musical legacy with three best-selling albums to date, rio’s original nu-bossa queen returns with a tour de force of golden-era brazilian soul music

lost desert and lee burridge return to get weird with an ep aimed squarely at the dance floor. k bug’ is a steam train slowly gathering pace as it moves forward. the chugging groove and fat bassline has been whipping the crowd in to a frenzy everywhere it s dropped. hinduma’ is a tracks that causes the mouth to contort while mouthing out the wonky synth line. and ‚reply to sender’ is a slow burner with a trippy ethnic melody and a drop that goes all mystical. three tracks for the clubs

the first clouded vision recordings release of 2017 comes from label owner matt walsh teaming up with stratowerx aka sam russo. the ep is completed with a remix from one of matt’s long-term studio partners, scott fraser, who makes a long awaited debut on the label. the three tracks were recorded over the course of 2016, with the two producers sending parts back and forth via email and the result sees a clear middle ground of minimalistic analogue electro and techno. scott’s surface pressure remix turns the first track “no function” into a dark drexciyan electro brooder, rounding off the ep very nicely indeed.

in 2015, midland watched gerd janson close panorama bar. the way he played that night and the energy he held in the room inspired him to go home and write some music influenced by the experience. the tracks that followed was the first release on regraded. fast forward three releases, in a taxi to an airport gerd mentioned he might have some demos for the label that he had been working on with shan. what followed was a pair of tracks that perfectly encapsulate what the label is about, soundtracking the moments of the night and day when everyone on the dance floor feels like a family.

the last few years have seen nathan melja really hit his stride, landing on such esteemed labels as mister saturday night, black opal and technicolour with an addictively weird update of the classic boxjam format. now he steps up to inaugurate dream real with three slices of upfront deviant business for all the sleazy dancers out there. there s no arguing with the rubbery bass tones and perfectly processed vocals on the original mix of -jerky teardrop-, but there s also the more wave-minded delights of the -blue mix- version of the track to suit more reflective situations. by way of contrast, -places we belong to- smooths out the mood on the b-side with a low riding slice of boogie that sports just a whiff of indie thrown in for good measure.

last year producer and dj eddie c released his third endless flight album “on the shore” - a compelling musical trip of drifting repetition in rhythm and melody. now he drops a new ep, consisting of three new track and “auf der ufer” – a tune he did with his norwegian buddy rune lindbaek, that is dancing a cosmic dance and that was never released on vinyl before. the three other works are crossing different territories. the eight minutes meditation “pumapunku” marries balearic flair with otherworldly synth-spheres. the also epic “inner piece” opens the house box with waving basslines, furious chord suspense and some unexpected breaks. the final is marked by “lonely without you” - a funky blue tune that brings in some peoples potential unlimited vibes for endless autobahn rides. another heartfelt arranged mix off instruments, synths, samples and drum machines by eddie c, the heartfelt canadian in berlin.

all djs and producers around have at least one secret weapon to play. this series curated by marvin & guy is the equation that joins together very special edits from very special artists. it will be out in three volumes in different colours: first black, second grey and third white.
the equation series are being released exclusively on vinyl, a limited edition of 300 copies, no digital formats will be released, and distributed by kompakt. with equation 3 the a-team is back once again and they have changed players for this third and last half. this time they bring along the madrileño who mixes movie trailers as well as house classics, the frenchie living in the big apple who once started his career rocking the piano at the conservatory, the german who makes compilations of weirdo 80ies jams in his spare time and the irish guy living in the land of the round butts nowadays, but once ruled the nyc disco scene fully on his own.

first in a three part series by frits wentink, presented in a hand stamped picture sleeve.

“the mark of the devil” is the third and last chapter of alex puddu’s trilogy with italian legendary vocalist edda dell’orso, here featured in three songs. written, arranged, produced and performed by alex puddu, together with many great musicians, the album is dope-groove, is prog-rock, is psych-blues, a walk through the gates of hell within lust and temptation. this album is the most obscure and experimental alex puddu has ever made to date!

tarsius is diego mapa on production, and jay gapasin on the live drums, which translates into a rolling, percussive and distinguishable sound that has become the tarsius signature. igado ep features three original tracks by tarsius and a remix by swiss dj and producer, manuel fischer.

secret release with three punchy groovy tracks.

already supported by:
sepp, arapu, nu zau, ada kaleh, nima gorji, io mulen, dubsons, romar, vincent iulian, seb zito , janeret , funk e, vinyl speed adjust, cosmjn, lowris, faster, nektar agu, politics of dancing, yaroslav lenzyak, dragutesku.

half baked resident greg brockmann teams up with good friend odd soul under the moniker oddmann to present their first release on half baked records. bringing three tracks of dark, driving but groovy minimal techno, the boys are bringing a new flavour to the half baked label. these two have really been working hard in the studio and that is evident across the release as they provide something for those dimly lit dancefloors with big sound. this is some serious heads-down trippy music to lose yourself within!

schacke returns to ectotherm with a speedy, heavyweight three tacker consisting of a triplet of rough, percussion-driven, floor-ready tracks. make them remember ep is the second hefty offering from schacke on ectotherm - the copenhagen based powerhouse run by mamma snake and courtesy. this record packs action inflicted kicks, transcendent hats, creepy crawling sounds and emotive melodies. unforgettable.

zeb wayne returns with a majestic and scintillating song titled ‘wulfman’, featuring a trio of top tier remixers including alva noto, calibre and radio slave. following the release of ‘float’ on rekids last year, ‘wulfman’ is a beautiful song that demonstrates how musically versed wayne is as a producer, blending a serene vocal by ziwi, with intricate sounds to create a truly beautiful song from start to finish. alva noto, who composed the film score for the revenant alongside ryuichi sakamoto, as well as being the co-founder of esteemed minimal imprint raster noton, is the first of three heavyweight remixers. the renowned german producer employs his signature elements of grit, static and glitch resulting in an inimitable melancholic cut. well respected for traversing numerous electronic music sub-genres, as evident in his recent album on craig richards’ the nothing special, calibre ups the energy in his remix using sultry synths, syncopated percussion and mesmerising effects. concluding the colossal package, rekids founder radio slave creates a club-ready reinterpretation of his own, complete with fine-tuned kicks, looped vocals and a heady bassline.

light on his feet but not afraid to throw a punch when required, robin ordell rustles up three insouciant but meaty groovers for his second discobar release. auguste iii stretches languorously across the a-side, skippy hats cutting through the rolling, bass groove in his now unmistakeable style. lost in misty byways goes for a more sprightly walk in the park, but its nonchalance becomes increasingly threatened by dissonant voices and faulty background circuitry. finally, the sauntering bass on chelbergerho gives momentum to atmospherics that inhabit the border between dark and light harmony, never quite resolving but always pushing forwards into the morning sunshine. for robin ordell and discobar, the summer has definitely begun.

official mr bongo reissue. licensed from george prah, founder of gapophone records.
marijata was a group made up of three members – kofi electric addison on drums, bob fischlan on organ and nat osmanu on guitar, hailing from ghana. ‘this is marijata’ is the groups first lp, released originally on the gapophone label – it is pure, rootsy, raw, driving african funk music of the highest order, now highly sought-after in both its original and previously reissued forms.

jaxx madicine is a jazz-funk inspired house ish outfit from milan consisting of turbojazz (local talk, gamm records), parker madicine (heist, bastard jazz brooklyn, ct-hi records) and the talented jazz keyboardist veez_0 . with an organic and melodic sound collage you can hear influences from classic 70 s jazz-funk labels and artists like cti, mizell brothers, kudu and bob james but also the current sounds of kaidi tatham, byron the aquarius and harvey sutherland. on this their first ep you get three amazing tracks that all are made with a genuine love for analogue synthesizers, fender rhodes, clavinets and some soulful mpc programming...

new west records haben das recht erworben die tv-shows der in den usa gefeierten show „austin city limits“ auf (tonträgern auszuwerten. in der serie erschienen schon konzerte von r.e.m. bis johnny cash. nun ist erstmals auf vinyl das konzert von fats domino verfügbar. 1986 aufgenommen, gilt diese live-aufnahme hinsichtlich der repertoire-auswahl und der klangqualität als seine beste. 180 gramm schweres vinyl.

“sadly, the future is no longer what it was (part three: memories live longer than dreams)” from leyland kirby on double vinyl, limited to 450 copies.

primitive trust is the coming together of two experienced musical minds. in one corner is will saul of the influential aus music empire, and in the other is tom mangan, aka tee mango, the producer who started millionhands record and clothing label. the pair met many moons ago and reconnected recently at a festival in morocco. they bonded over music, lunch and shared family travails - and as they both now live in somerset decided a little local studio collaboration seemed all but essential. between them, these consumate country gentlemen have seen plenty a musical styles come and go, so decided their best route forward would be to make music to please themselves. to that end, they holed themselves up in tee mangos woodshed studio with the following ground rules: they would make music only with the gear they had (mpc 2000, ableton, roland 101, juno, fender rhodes, various fx pedals) they would trust their instincts and go with first feelings they would embrace the joy of randomness if in doubt they would ask what would carl do? with that, you have the simple but effective mo of primitive trust. these sessions have resulted in a series of three eps to be released over the course of four months. each ep will feature 2 or 3 original tracks and one fresh remix, with unique artwork and an illustration by all-around visual auteur geoff mcfetridge. using the building blocks of house, and classic techno primitive trust can do zoned out and romantic, as much as driving and heady, but with an ease that comes from experience, years in the making. while tipping their proverbial hats to the past they also look to the future with their sound, mixing samples, wigged out synthwork and propulsive rhythms to create something honest and heartfelt that will stand the test of time

vinyl only. first release from lisbon’s leading dance music record shop, carpet & snares records. andré leiria completes his journey from wide-eyed customer to fully-fledged producer, with three reflective originals and an outer-space dub from mosaic boss steve o’sullivan. ‘raining sun’ and ‘not the way home’ evoke wet spring days in the city, sustained chords and delayed accents swelling like morning river mist over the diligent bass and percussive clatter of urban life below. o’sullivan’s drifting dub of ‘raining sun’ steps boldly into a galaxy-scale soundspace, echoing the best of his dub excursions from the late 90s, while on ‘fear of death’ there are hints of another steve (reich), its cacophony of arpeggios propelling the groove into ever higher registers.

kampana s debut release was a global hit across the house, disco and tropical scene, with support from heavyweights such as francois k, soul clap and gilles peterson. the label is back just in time for summer with three more doses of peak time fire from aroop roy, who has gained a fine reputation for the quality and widespread appeal of his releases. you say is a funk-fuelled number with gritty retro vocals and guitar, driven by a warm disco groove and 80s arp-synth. the feel-good vibes gradually build into an anthemic floor-filling climax. taj mahal reworks a brazilian classic into a full on house workout, reminiscent of roys popular series on gamm. mapora is an original number that will blend well into both deep house and afro-centric sets. the track builds nicely with filtered samples and syncopated vocals, coming in with an infectious highlife guitar line and late night synth stabs, to get mind and body moving.

after turning heads with their first two releases brisbanes radio show come record label beats of no nation (bonn) is here with release number three. the hollywood ep comes from bonn co-founder jad lee aka jad &the(fka jad & the ladyboy). off the back of recent 2017 releases on labels sonar kollektiv, 2mr, and axe on wax jad brings it home to beats of no nation with the hollywood ep which takes its name from the obscure samples jad pulled from a bundle of dusty vhs movie tapes. londoner deejay astral provides a remix of the a1 theatrical trailer and he masterfully takes the bass line from the original and makes the remix into something his own.

2017: the camo & krooked takeover continues to permeate every corner of the electronic music landscape as they take their unique sound to uncharted pastures. two successful singles, one high profile remix of noisia, one essential mix and a non-stop world tour into 2017, the austrian music-producer a-listers now present the most critical releases of their career...
after three long years of the deepest studio craft they’ve ever committed to, camo (reini) & krooked (markus) have delivered their most unifying, high profile vocal track like i do with fellow vienna artist and runaway songwriter sensation james hersey. then, on june 23, they will finally unveil their most startling, detailed and singular body of work yet - mosaik.
their fourth album since emerging in 2007, mosaik is a pivotal document that elevates camo & krooked’s creative credentials, vision and technique to brave new levels. the result of years of studio hibernation, studying vintage analogue instruments, honing their instantly distinctive signature, songwriting skills and, in markus’ case, even finding their own singing voice, mosaik galvanizes the duo’s position as one of the most exciting, unique, innovative and in-demand acts in electronic music.

with a career spanning over 20 years worth of djing, production and label work, shlomi aber has gradually cemented his position as one of the scene’s cornerstones. his first outing for figure sees the now barcelona-based artist drawing on his many influences to deliver a tastefully rounded three- tracker. under two worlds grooves sublty aong a funky acid riff, while anthemic synths longilgy recall bygone moments of grandeur. this unique aber-ability, creating a composition that is as elegantly understated as it is undoubtedly epic, also comes through on the record’s b-side. paced only at half-time and drenched in dubby reverb, the weighing beats of ‚rumbles’ engage with delicately shapedhead sounds for some seriously spaced-out head nods. matrix is an tightly woven mesh of machinery insides, which aber nevertheless manages to channel into a fairly straight forward kinetic energy.

time for a little neck bulging, slimy skin hip-slinking summer fun as a true craftsman steps from the studio shadows: jay shepheard, who’s back with a track that’s so infectious if you licked its back you’d trip for weeks. prepare yourselves for ‘bullfrogging’: wry funk, warmth and humanised technoid soul. taking a vocal texture then processing, harmonising and splicing the spawn out of it, jay’s precision balance of electronic hustle and anthromorphised action has all the hallmarks for a summer anthem. ‘early doors’ follows suit and there’s a massive clue in the title… soft-focused, warm, rolling and laced with textured chimes, it’s definitely tailored for those key transitions between warm-up and second gear. deep, trippy but coded with a hookiness that grabs rather than soothes, once again it’s classic shepheard but with a revitalised 2017 twist. hey, he didn’t lock himself away in the studio for twelve months for nothing, right? neither did jay’s long-time friend and neighbour mark henning, a man who hasn’t taken on a remix since the early 2010s. his return to the remix game is as poignant and powerful as jay’s return to releases as he removes around 70 percent of the frog and maximises the bullishness of the elements, creating a relentless tribal slammer of a version that still retains the warmth and soul of jay’s original. two returns to action, three killer tracks, one label you can always count on as your friend and no frogs harmed during the whole process. we’re pulling out some serious stops here.

bedrock frequencies curated by john digweed features some of the bedrocks head honchos favourite artists, alongside exciting collaborations, label debuts, and some wonderful reinterpreted classics from the label s illustrious back catalogue. frequencies provides a snapshot of a perfect bedrock party, in the form of yet another musical masterclass from the bedrock boss as he takes the listener on an unrivalled, evolving journey from start to finish. this the first of three vinyl samplers see s music from tijuana, rhythm design, hilipp straub & charlie thostenson, lily pita & robert babicz.

nice price deal !!! after the first three successful releases, krakatoa is ready to burn dancefloors with this two track ep. >star song< is a powerful old school influenced tune with a strong vocal, perfect for the summer. >t m base< is a dancefloor smasher, it runs super funky on the bassline and fresh on the beat. donÆt miss it!

duo of cncpt and davis return with three moody, melancholic and booming techno cuts.

number 2 of three kicks off with the menacing sounds of anastasia vtorova’s (machine woman) 8 minute iron curtain, meandyou co founder herron (sam lewis) made on appearance on the first jheri tracks comp and is back with the percussive stop start vibes of yusmita. sias returns to the fold with his brand of post punk techno on brickfields with sbot & soft stone completing the set.

bringing his signature sound to crosstown rebels, delightfully unconventional producer sis delivers his third release on the label, the blind side. hot on the heels of his boabab album on mobilee, rodriguez jr. delivers a stunning remix on the b-side. the blind side is set to soundtrack the summer, an incredibly infectious track with its exotic and intricate drum workouts and alluring vocal cuts. on the flip, rodriguez jr. brings in deep pads, uplifting melodic keys and a storming piano lines for a whole new take on the original. taking his artistic enthusiasm from his turkish father, sis grew up in berlin surrounded by music. following a series of releases on nick curly’s cecille, ricardo villalobos who loved his track trompeta so much that he released it on his boutique label picked up the german producer sei es drum in 2008. his success of trompeta led to an avalanche of recognition, groove magazine and ‘newcomer of the year’ by raveline mag named him both ‘producer of the year’. in 2011 sis launched his own label cocolino where he released his debut three-part album dejame. olivier mateu aka rodriguez jr. grew up in the south of france and moved to paris as a young adult and soon formed the electro group the youngsters. signed by laurent garnier to f communications, the duo released two albums and a string of successful singles. focusing on a different alias, rodriguez jr. gave olivier the freedom to run with his creativity, which can be seen in his acclaimed live shows.

seth troxler’s agenda setting play it say it label is back with more summer heat, this time from detroit based duo ataxia. hailing from detroit, this pair has recently played the famous movement festival in their home city for the fifth time, work with top labels like nervous records and culprit la and have already impressed with a fine ep on leftroom this year. their sound is designed to get the party started, and after already releasing on this label in 2016 they are now back with three more essential tracks. up first, the terrific ‘time original’ is a fluid and wriggling tech cut with busy synth lines scurrying about over driving drums. it’s dark and freaky with poised chord stabs and the whole thing cannot fail to get floors moving. then comes ‘supertouch’, which is a superbly slick acid number. weird bleeps and clipped vocals add an unhinged edge to the urgent rubbery drums and the whole thing is a mind melting number that will take any set to the next level. last of all is the vital ‘villains’, seven inventive minutes of gurgling bass, alien sound design and wonky synth lines that all warp around each other and melt your mind as they do so. colourful and full of character thanks to a rapped vocal line, this one is a real party anthem in the making. across all three cuts here this talented duo really show off their wide range of studio skills in some style.

part 1/3! several shades of the same color is patricias first album for spectral sound, produced in conjunction with his own label active cultures.

this grouping of audio recordings is for aural use only. any emotional content perceived herein is borne of its listener, and is in no way intended by its author. any sounds resembling speech are not intended to convey meaning. several shades of the same color is patricia s first album for spectral sound — produced in conjunction with his own label active cultures. tips for listeners: consider the moment in which you exist, pay attention to how these sounds evoke physiological (rather than cognitive) responses. listeners may find themselves deriving immense physical pleasure from exposure to these sounds. inability to achieve such pleasure is likely attributable to over-analysis of the aforementioned audio content — or to improper amplification. each of shades three lps features suites of tracks that, considered alone, comprise their own distinct, unique worlds. disc one opens with -i know the face, but not the name,- an unabashedly plaintive trip through classic electro rhythms, flip it over for -the words are only sounds,- a haunting affair for synthesizer and voice. disc two s -the electric eye is upon me- swirls endlessly, while -shiba inu dub- is cut for the floor and coy as its namesake. disc three s jackin -feel your body- will cause you to do just that, -german friendship- sounds like d.a.f. on dissociatives. any emotional associations incurred while listening come at the listener s discretion. furthermore, the identity of the author and/or their passions regarding the recordings herein shall bear no weight on the listener s experience. this body of work is not intended to generate ideas, rather, its goal is to produce physical sensations in the listener.

there are not many conventional rules in the world of dutch dj/producer dj marcelle/another nice mess, or they have to be her own, but which she is more than happy to break at any time she fancies. for the past 15 years she has been travelling around europe and beyond, playing her brave three turntable sets in front of often both stunned, surprised and euphoric audiences. she is an original, skilled mixer, with a very distinctive style of her own, avoiding most dj-cliches and stale rules.

fresh from her last release which featured an essential remix from ricardo villolobos, russian artist julia govor is back with three more great tracks on the ever excellent rhythm cult.

bakk extends it s mind-altering quest with plafond 2 with two tracks averaging 17 minutes. from antwerp s depths milan w. brings a stunning track (consisting of three parts) of ambient exotica. the flipside carries synth wizzard ekolali, who resides on a barn in sweden, with a rhythmic jam to sink into. comes again in a special screen printed outer sleeve and tasteful obi strip made by the bakk deep dream department.